The last two weekends has seen me demonstrating my process for making camera-less images, sun prints, chemical prints, daylight print, leaf works or whatever you’d like to think of them as. I did this for Art Trek, at Broomhill Sculpture Park near Barnstaple, North Devon’s open studios event at the end of June.
There was a lot of interest with over 60 people visiting on the last Sunday alone. I was making work throughout Art Trek, the image above being the best constructed image made over the first weekend. I used leaves and more from ‘throw-a-way’ plants and trees rather than some of the more cultivated ones planted specially in the gardens. This particular image was made using stinging nettles and dock leaves, traditionally used as an anaesthetic for the sting; these plants can always be found together and are like yin and yang, sting and anaesthetic, positive and negative complementing the traditional photographic process I was using.
Over the last weekend I made a few single 5×7 inch unique prints from columbine, elder, ash and foxglove (there may have been other leaves etc and included 2x slugs that got in on the act by accident). These I sold at £10 each once they were archivally fixed, washed and dried then mounted on foam board. I still have some of these left for sale for £10 with free p&p through Europe, it’ll cost a fraction more for the States. If you’d like one please visit my main website: http://www.greengallery.co.uk/pages/forest.htm
I’ll be running a lot of photography workshops/courses over the summer. Every Tuesday in June and July. The Morning workshops are designed as a basic introduction to digital photography; learning to gain control over your camera, shutter speeds, aperture, iso, flash etc, setting it up for optimum quality under any given lighting, and making better pictures through composition. The Afternoon sessions are based around photographing landscape and the natural environment. This workshop is designed for someone who has a basic knowledge of how to use their camera but now wants to experience the natural landscape in a personal and creative way.
On Wednesday July 22nd I’m doing a special one day workshop exploring triptychs and the constructed image. I’ll will be using historic and contemporary examples and sharing my own experience in this one day workshop. A basic knowledge and experience of using your own digital camera is required for this day. A detailed itinerary for the workshop will be available soon. See my website for details: http://www.greengallery.co.uk/pages/workshops.htm
Also I’ll be leading, with Caroline Preston a couple of residential courses, developing and exploring photographic techniques, at Beaford Arts. The first one’s for school years 9-11 and starts 10:00 Thursday 30th – 16:00 Friday 31st July and the second is for school years 6-8 and starts 10:00 Monday 3rd – 16:00 Tuesday 4th August. Details are here: http://www.beaford-arts.org.uk/index.php?id=21 also whilst you’re there check out my pages as a Beaford Artist: http://www.beaford-arts.org.uk/index.php?id=84 and: http://www.beaford-arts.org.uk/index.php?id=57 thanks to Jane at Beaford for these!
Talking of which I’ll also be having an exhibition of current work there during the last week of July and the first week of August. And I’ll be running some very special workshops for adults at Beaford over the weekend of 1st and 2nd August, I haven’t fully planned it yet, but think camera-less, so if there’s anything you’d like me to cover let me know; details will arrive here as soon as it’s all finalised.
Suddenly I’m a lot busier than I was, fitting in 2½ days teaching at East Devon College in Tiverton, I’ve lapsed in my blog writing. Neither have I made many new images recently, of the large ‘art’ variety, as my best camera lens is being repaired. But I see this summer as a very creative time.
On Thursday 28th May I’ll be promoting Art Trek on the quay, under canvas, at the Appledore Visual Arts Festival. Art Trek for real starts three weeks later and I’ll be based at Broomhill Sculpture Park between Barnstaple and Muddiford making camera-less images. This will be the first time that I have used traditional photographic chemicals and paper for eight years and it will be fascinating to see what I can make from the leaves I find in Broomhill’s wonderful gardens. This will be a taste of the Year of the Artist residency I did with an Arts Council grant in 2001. I’ll be next to the Broomhill Stables (which will house North Devon Art’s Square Picture Show) on the 20th, 21st, 27th and 28th June 2009.
Whilst preparing for this residency I came across a whole load of unfinished work that I made in 2001 at the National Forest in Leicestershire. I had been making so many new pieces during the Year of the Artist residency that most of them had never been constructed together and mounted; I had quickly moved onto other things in 2001. these ‘old’ new pieces will be shown whilst I’m at Broomhill, one of them will also be show in the Queens theatre Café Gallery, Barnstaple, during June.
I had hoped to do some workshops during the Tuesdays of Art Trek, but I’m now committed to teaching in Tiverton. However if the interest is there, I’ll be happy to do something like this later in the summer.
Atlantic Aperture (collapsed) was shown originally at Trelawney Garden Centre with Atlantic Aperture, shown one super-imposed on the other above. Following is the text that accompanied the two images:
We are living on the frontier of climate change here in
Anyway, I digress. I went to print Atlantic Aperture (collapsed) for the Ruby Expo, as they had accepted the image I had sent them as above, however, search as I might through my computer, external drives, back-up DVDs etc I could not find the image. So I resigned to making it again from scratch. Bizarrely after half a day of concerted Photoshop effort it turned out different, I believe better, than it was.
I’m not sure if there is a moral here. It ought to be ‘keep your workspace clean and tidy’, ‘file everything away in a methodical fashion’, ‘always make a back-up of your files’. But my loss is also my gain as the new construction from the original frames is better than it had been. Perhaps the moral should be all of the above plus ‘occasionally re-work your images’!